[xs-36] salad - ubiquo

artist: salad
album: ubiquo

release date:
contact: myspace

If the holy graal of the free jazz, may goes through american musicians such as Frank zappa, Ornette Coleman, John Zorn, Anthony Braxton, Peter Brotzmann, Charles Mingus or Evan Parker, going to the oriental world where important names of improvisation don't stop echoing, and where we can find musicians such as Kawabata Makoto, Otomo Yoshihide, Kenji Haino, among other, I am sure that we cannot say that we have a bad improvisation scene here in Portugal, although many times musicians rejected by the portuguese society as Carlos Zíngaro, António Pinho Vargas (in a past now in recovery), Nuno Rebelo, Vítor Rua, or Jorge Lima Barreto appear many times in an indiscrimination motion of marginalization of some of the best music that has been made in here for the last 20 years. it is right that although recent, and practically hidden and limited to the anonymous identity of life in the deep of portugal this project salad, of the authory of João Clemente created in May 2007 (first recordings) that is now presented in this release, takes the notion of free improvisation with base in pre-defined structures where most of the times the line which separetes the rigid structure and the free improvisation is almost imperceptible, at an high state, so high that it may even take the risk of becoming a reference in the national scene at medium long date. It's the author's papper to create a fluxus, where the motivic gathering, in a support close to the standard, lead to all this magic, in the style of what we can see in different contexts, and with different aesthetic backgrounds, in masada recordings of john zorn in his own label tzadik just as some of Frank Zappa work if we want to go a bit more back in the past. To notice also the possibility of future releases with another formations, dued to the existance of more studio recordings, and to the high notion of social structure present in all the musical trama. The spontaneous portuguese creation is in good health and it is highly recommended - a release to be listened and re-listened and enjoyed times without count.


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xs records editions

  • [xs-72] Agnes Heginger and Karlheinz Essl - Out of the Blue
  • [xs-71] cage cabarrett - covil radiophonic workshop
  • [xs-70] hui-chun lin-selected improvisation works
  • [xs-69] heitor alves - gimme some more sounds
  • [xs-68] essl.ostrovski - flechtwerk
  • [xs-67] zuramone - the spiders dance
  • [xs-66] BpOlar - subversive vespers
  • [xs-64] ziur - granular world
  • [xs-63] subterminal - filled with light
  • [xs-62] hola one and elka brown - visitors
  • [xs-61] carlos d. perales - acousmotion
  • [xs-60] poros - labass
  • [xs-59] essl.burger - live!
  • [xs-58] v.a. - past present and future
  • [xs-57] hola one - hygh
  • [xs-56] egotron - egotron
  • [xs-55] lotus mecanica - the live sessions and jack d
  • [xs-54] emanuel casimiro - a revolta das plaquetas
  • [xs-53] emanuel casimiro - o rei do power pimba
  • [xs-52] AAM! - ojodoro
  • [xs-50] grupo porco de grindcore interpretativo - the rala o pinto massacre
  • [xs-47] nata - stormy weather
  • [xs-46] pangea - vital error [feat kenji siratori]
  • [xs-45] jorge nunes - comprimido
  • [xs-44] moreu - gong music
  • [xs-43] 10konekt - telekom
  • [xs-42] ziur - concretement
  • [xs-41] engenho - amazónia
  • [xs-40] mezcup - 2008
  • [xs-39] exportion - stream of conciousness
  • [xs-38] beautiful venom - prologue
  • [xs-37] outlevel - estrela
  • [xs-36] salad - ubiquo
  • [xs-35] jackpooote - jackpooote
  • [xs-34] tiago morgado & adamned.age - EHF: collaboration works
  • [xs-33] gabran - anthem
  • [xs-32] ruins winter - natural
  • [xs-31] aaldo - selected works
  • [xs-30] palindromic resonance - voidfuck sessions
  • [xs-29] lights on - words of nature
  • [xs-28] die minimalistin - isolator
  • [xs-27] renato folgado - late
  • [xs-26] cláudio moreira - showcase @ fnac bragaparque 02-06-08
  • [xs-25] la stanza bianca - cristina bardo thodol
  • [xs-24] algo - there will never be another you
  • [xs-23] the oniric - the oniric
  • [xs-21] forgotten ruins - forgotten ruins
  • [xs-18] youth and student travel - copy me copy you
  • [xs-17] landerim - shallow draw
  • [xs-16] EXurban - leerstand untergrund
  • [xs-15] emanuel salvador - selected performances
  • [xs-13] lights on - save the world
  • [xs-12] adamned.age - photosphaere
  • [xs-10] tet open ensamble - zen trip
  • [xs-09] minson - hidden monsters
  • [xs-07] C R Moreira - sauroposeidon

    • What's a netlabel?


    I won’t obviously explain you that in here but you can easily find that information in wikipedia at http://en.wikipedia.org/wiki/Netlabel and information about creative commons in http://creativecommons.org

    Is this music really free? Just download?.. Do i need to pay to play it in clubs?


    Yes it's free. All tracks are released under a by-nc-nd creative commons license (unless otherwise specified), and are also all unsigned from any of those artist royalties ripoff associations. That means that it's free to download, distribute and broadcast without needing to pay anything to anyone, not even to the GEMA / RIAA / SPA / SGAE / TEOSTO / whatever. The only thing you can't do with it is claim ownership or release any derivatives commercially without the artists permission. All broadcasting and non profit distribution activity is perfectly legal and legislated.

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    Yes. We want our releases and artists to be known across the whole multiverse and beyond. So please _do_ abuse whatever independent distributing technology you see fit, including http, ftp, dcc, fserver, cdr, radiocast, webcast, bittorrent and whatever other p2p solution you can imagine. Just as long as you are not collecting money from our artists work, you're free to re-distribute it in any way you see fit.

    This is great, how can i support you guys?


    If you like a specific artist we encourage you to support them directly, check their myspace pages for special contributions and upcoming events. We will prepare ourselves to receive also paypals donatives to help promote de musicians (printing CDRs and DVDs to sell at a symbolic price, and so on).

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